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Now on Instagram!

I had so much fun with yesterday’s prompt I decided to go ahead and make an Instagram account dedicated to original daily writing prompts.

If that sounds like your kind of thing, please give it a follow:

http://instagram.com/poesyprompts

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Parents Just Don’t Understand – DJ Jazzy Jeff and The Fresh Prince

Something a little different today! In the opening episode of season two of Parks and Recreation, we see Ron Swanson walk into Leslie Knope’s office with something important to tell her, and in true Leslie Knope fashion, she responds by reciting am entire rap song from the 80s. Just another day at the office, right? What younger viewers may not realise is that this is song is in fact a throwback to the much beloved music of Will ‘The Fresh Prince’ Smith and DJ Jazzy Jeff. The song, released in 1987, predates Will Smith’s iconic sitcom Fresh Prince of Bel Air by three years. Parents Just Don’t Understand peakes at #12 on the US Billboard Hot 100, #28 in Canada and #87 in the United Kingdom, so although some more mature viewers of Amy Poehler’s hit show would have immediately recognised the reference, there’s a good chance some younger viewers have never heard the original. Until today! Enjoy!

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The Raven – Edgar Allen Poe

Back on October 25th 1990, a very special episode of The Simpsons aired. Though in its second season, this first Halloween special was to be the beginning of an annual tradition that we would look forward to every year. This is, of course, the Treehouse of Horror series. It is hard to believe that it has been almost 31 years since Matt Groening created this charming adaptation of perhaps Poe’s most famous poem, narrated by none other than James Earl Jones. I can still remember watching it as a young child – probably not understanding it all that well but feeling spooked nonetheless! Watching it again after so many years filled me with such nostalgia. It is truly a classic Simpsons scene.


Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
    While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”

    Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.

    And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating
    “’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
            This it is and nothing more.”

    Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.

    Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice;
      Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”

    Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”

    Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”

    But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
    Nothing farther then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”

    Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”

    But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”

    This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
    This and more I sat divining, with my head at ease reclining
    On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
She shall press, ah, nevermore!

    Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”

    And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon’s that is dreaming,
    And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!

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The Cure at Troy – Séamus Heaney

On the day of President Joe Biden’s inauguration, I thought I would share with you a dedication by Irish news network RTÉ that was broadcast the day he was elected. Playing over the clip is audio of Joe Biden himself reading an excerpt from Séamus Heaney’s The Cure at Troy. It is both poignant and beautiful. I hope you enjoy.

Human beings suffer

They torture one another,

They get hurt and get hard.

No poem or play or song

Can fully right a wrong

Inflicted and endured.

The innocent in gaols

Beat on their bars together.

A hunger-striker’s father

Stands in the graveyard dumb.

The police widow in veils

Faints at the funeral home.

History says, Don’t hope

On this side of the grave…

But then, once in a lifetime

The longed-for tidal wave

Of justice can rise up,

And hope and history rhyme.

So hope for a great sea-change

On the far side of revenge.

Believe that a further shore

Is reachable from here.

Believe in miracles

And cures and healing wells.

Call miracle self-healing:

The utter, self-revealing

Double-take of feeling.

If there’s fire on the mountain

Or lightning and storm

And a god speaks from the sky

That means someone is hearing

The outcry and the birth-cry

Of new life at its term.

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Ozymandias – Percy Bysshe Shelley: Breaking Bad

With the final installments of the hit TV show Breaking Bad looming, a teaser trailer was recently released in which the chief character Walter White recites Percy Bysshe Shelley’s famous poem ‘Ozymandias’. Fans of the show will understand why this thrilling poem was a remarkably apt choice for the storyline. However, if you don’t follow the show you can still enjoy the video as it does not reveal anything about the show itself – no spoilers and no confusion!

I met a traveller from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shattered visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
`My name is Ozymandias, King of Kings:
Look on my works, ye mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away”.

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Sonnet XVII – Pablo Neruda: Patch Adams

Another beautiful sonnet by another wonderful poet was read to us in the film Patch Adams, the true-story of Dr. Hunter “Patch” Adams. In this scene, Patch, a patient-turned-medical student is seen mourning the death of this girlfriend. In her honour, Patch recites part of Pablo Neruda’s Sonnet XVII (Sometimes referred to by it’s first line I Do Not Love You).

I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.

– Pablo Neruda

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Sonnet 29 – William Shakespeare: Read by Al Pacino (various films and shows)

I can confidently say that this is by far my favourite Shakespearean sonnet. Simply called Sonnet 29, it is simple and beautiful and has therefore been mentioned and recited in film and television many times over the years. It has featured in all sorts of places, from Star Trek to Pretty Woman, which is why I’m baffled as to why I can not seem to find an actual clip of the sonnet being recited in any such form.

Of course, that’s no reason to overlook this masterpiece, and what better way to hear it than from the lilting voice of the great Al Pacino?

Enjoy.

When in disgrace with Fortune and men’s eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possess’d,
Desiring this man’s art, and that man’s scope,
With what I most enjoy contented least.
Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven’s gate;
For thy sweet love remember’d such wealth brings
That then I scorn to change my state with kings.

– William Shakespeare

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Resume – Dorothy Parker: Girl, Interrupted

Too often known simply as Brad Pitt’s other half, it is easily forgotten that Angelina Jolie has a very impressive body of work behind her. In the acclaimed film Girl, Interrupted, Jolie’s character Lisa recites a poem by Dorothy Parker. Undisputedly one of her finest roles, with perfect ease Jolie portrays a character with a history of self-harm who has spent much of her life in institutes. Though some may find it morbid, this short and clever poem fits perfectly in the film and no doubt stuck in the minds of its viewers.

Razors pain you;
Rivers are damp;
Acids stain you;
And drugs case cramp;
Guns aren’t lawful;
Nooses give;
Gas smells awful;
You might as well live.

– Dorothy Parker

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When I Heard The Learn’d Astronomer – Walt Whitman: Breaking Bad

David Costabile played lovable loser Gale Boetticher on everyone’s favourite show; Breaking Bad. (Maybe not everyone’s, but if you’re going to watch a show about a high school chemistry teacher who decides to start selling meth, it should be this one.)

Gale, a self-proclaimed nerd, is a lover of Walt Whitman, and one afternoon he recites one of Whitman’s poems to Walter White.

When I heard the learn’d astronomer;
When the proofs, the figures, were ranged in columns before me;
When I was shown the charts and the diagrams, to add, divide, and measure them;
When I, sitting, heard the astronomer, where he lectured with much applause in the lecture-room,
How soon, unaccountable, I became tired and sick;
Till rising and gliding out, I wander’d off by myself,
In the mystical moist night-air, and from time to time,
Look’d up in perfect silence at the stars.

– Walt Whitman

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Eloisa to Abelard – Alexander Pope: Eternal Sunshine Of The Spotless Mind

  How happy is the blameless vestal’s lot!
  The world forgetting, by the world forgot.
  Eternal sunshine of the spotless mind!
  Each pray’r accepted, and each wish resign’d;

This poem is where the film actually finds its title. Only a small part of the poem was quoted by Mary’s character, but you can find the full text below. Eternal Sunshine Of The Spotless Mind is a powerful film that raises many philosophical questions and leaves you loving not only your successes, but your mistakes too.

Written by the great Alexander Pope and published in the year 1717, the poem, almost like a novella in its length, tells the tale of two star-crossed lovers.

    In these deep solitudes and awful cells,
Where heav’nly-pensive contemplation dwells,
And ever-musing melancholy reigns;
What means this tumult in a vestal’s veins?
Why rove my thoughts beyond this last retreat?
Why feels my heart its long-forgotten heat?
Yet, yet I love!—From Abelard it came,
And Eloisa yet must kiss the name.

Relentless walls! whose darksome round contains
Repentant sighs, and voluntary pains:
Ye rugged rocks! which holy knees have worn;
Ye grots and caverns shagg’d with horrid thorn!
Shrines! where their vigils pale-ey’d virgins keep,
And pitying saints, whose statues learn to weep!
Though cold like you, unmov’d, and silent grown,
I have not yet forgot myself to stone.
All is not Heav’n’s while Abelard has part,
Still rebel nature holds out half my heart;
Nor pray’rs nor fasts its stubborn pulse restrain,
Nor tears, for ages, taught to flow in vain.

Soon as thy letters trembling I unclose,
That well-known name awakens all my woes.
Oh name for ever sad! for ever dear!
Still breath’d in sighs, still usher’d with a tear.
I tremble too, where’er my own I find,
Some dire misfortune follows close behind.
Line after line my gushing eyes o’erflow,
Led through a sad variety of woe:
Now warm in love, now with’ring in thy bloom,
Lost in a convent’s solitary gloom!
There stern religion quench’d th’ unwilling flame,
There died the best of passions, love and fame.

Yet write, oh write me all, that I may join
Griefs to thy griefs, and echo sighs to thine.
Nor foes nor fortune take this pow’r away;
And is my Abelard less kind than they?
Tears still are mine, and those I need not spare,
Love but demands what else were shed in pray’r;
No happier task these faded eyes pursue;
To read and weep is all they now can do.

Then share thy pain, allow that sad relief;
Ah, more than share it! give me all thy grief.
Heav’n first taught letters for some wretch’s aid,
Some banish’d lover, or some captive maid;
They live, they speak, they breathe what love inspires,
Warm from the soul, and faithful to its fires,
The virgin’s wish without her fears impart,
Excuse the blush, and pour out all the heart,
Speed the soft intercourse from soul to soul,
And waft a sigh from Indus to the Pole.

Thou know’st how guiltless first I met thy flame,
When Love approach’d me under Friendship’s name;
My fancy form’d thee of angelic kind,
Some emanation of th’ all-beauteous Mind.
Those smiling eyes, attemp’ring ev’ry day,
Shone sweetly lambent with celestial day.
Guiltless I gaz’d; heav’n listen’d while you sung;
And truths divine came mended from that tongue.
From lips like those what precept fail’d to move?
Too soon they taught me ’twas no sin to love.
Back through the paths of pleasing sense I ran,
Nor wish’d an Angel whom I lov’d a Man.
Dim and remote the joys of saints I see;
Nor envy them, that heav’n I lose for thee.

How oft, when press’d to marriage, have I said,
Curse on all laws but those which love has made!
Love, free as air, at sight of human ties,
Spreads his light wings, and in a moment flies,
Let wealth, let honour, wait the wedded dame,
August her deed, and sacred be her fame;
Before true passion all those views remove,
Fame, wealth, and honour! what are you to Love?
The jealous God, when we profane his fires,
Those restless passions in revenge inspires;
And bids them make mistaken mortals groan,
Who seek in love for aught but love alone.
Should at my feet the world’s great master fall,
Himself, his throne, his world, I’d scorn ’em all:
Not Caesar’s empress would I deign to prove;
No, make me mistress to the man I love;
If there be yet another name more free,
More fond than mistress, make me that to thee!
Oh happy state! when souls each other draw,
When love is liberty, and nature, law:
All then is full, possessing, and possess’d,
No craving void left aching in the breast:
Ev’n thought meets thought, ere from the lips it part,
And each warm wish springs mutual from the heart.
This sure is bliss (if bliss on earth there be)
And once the lot of Abelard and me.

Alas, how chang’d! what sudden horrors rise!
A naked lover bound and bleeding lies!
Where, where was Eloise? her voice, her hand,
Her poniard, had oppos’d the dire command.
Barbarian, stay! that bloody stroke restrain;
The crime was common, common be the pain.
I can no more; by shame, by rage suppress’d,
Let tears, and burning blushes speak the rest.

Canst thou forget that sad, that solemn day,
When victims at yon altar’s foot we lay?
Canst thou forget what tears that moment fell,
When, warm in youth, I bade the world farewell?
As with cold lips I kiss’d the sacred veil,
The shrines all trembl’d, and the lamps grew pale:
Heav’n scarce believ’d the conquest it survey’d,
And saints with wonder heard the vows I made.
Yet then, to those dread altars as I drew,
Not on the Cross my eyes were fix’d, but you:
Not grace, or zeal, love only was my call,
And if I lose thy love, I lose my all.
Come! with thy looks, thy words, relieve my woe;
Those still at least are left thee to bestow.
Still on that breast enamour’d let me lie,
Still drink delicious poison from thy eye,
Pant on thy lip, and to thy heart be press’d;
Give all thou canst—and let me dream the rest.
Ah no! instruct me other joys to prize,
With other beauties charm my partial eyes,
Full in my view set all the bright abode,
And make my soul quit Abelard for God.

Ah, think at least thy flock deserves thy care,
Plants of thy hand, and children of thy pray’r.
From the false world in early youth they fled,
By thee to mountains, wilds, and deserts led.
You rais’d these hallow’d walls; the desert smil’d,
And Paradise was open’d in the wild.
No weeping orphan saw his father’s stores
Our shrines irradiate, or emblaze the floors;
No silver saints, by dying misers giv’n,
Here brib’d the rage of ill-requited heav’n:
But such plain roofs as piety could raise,
And only vocal with the Maker’s praise.
In these lone walls (their days eternal bound)
These moss-grown domes with spiry turrets crown’d,
Where awful arches make a noonday night,
And the dim windows shed a solemn light;
Thy eyes diffus’d a reconciling ray,
And gleams of glory brighten’d all the day.
But now no face divine contentment wears,
‘Tis all blank sadness, or continual tears.
See how the force of others’ pray’rs I try,
(O pious fraud of am’rous charity!)
But why should I on others’ pray’rs depend?
Come thou, my father, brother, husband, friend!
Ah let thy handmaid, sister, daughter move,
And all those tender names in one, thy love!
The darksome pines that o’er yon rocks reclin’d
Wave high, and murmur to the hollow wind,
The wand’ring streams that shine between the hills,
The grots that echo to the tinkling rills,
The dying gales that pant upon the trees,
The lakes that quiver to the curling breeze;
No more these scenes my meditation aid,
Or lull to rest the visionary maid.
But o’er the twilight groves and dusky caves,
Long-sounding aisles, and intermingled graves,
Black Melancholy sits, and round her throws
A death-like silence, and a dread repose:
Her gloomy presence saddens all the scene,
Shades ev’ry flow’r, and darkens ev’ry green,
Deepens the murmur of the falling floods,
And breathes a browner horror on the woods.

Yet here for ever, ever must I stay;
Sad proof how well a lover can obey!
Death, only death, can break the lasting chain;
And here, ev’n then, shall my cold dust remain,
Here all its frailties, all its flames resign,
And wait till ’tis no sin to mix with thine.

Ah wretch! believ’d the spouse of God in vain,
Confess’d within the slave of love and man.
Assist me, Heav’n! but whence arose that pray’r?
Sprung it from piety, or from despair?
Ev’n here, where frozen chastity retires,
Love finds an altar for forbidden fires.
I ought to grieve, but cannot what I ought;
I mourn the lover, not lament the fault;
I view my crime, but kindle at the view,
Repent old pleasures, and solicit new;
Now turn’d to Heav’n, I weep my past offence,
Now think of thee, and curse my innocence.
Of all affliction taught a lover yet,
‘Tis sure the hardest science to forget!
How shall I lose the sin, yet keep the sense,
And love th’ offender, yet detest th’ offence?
How the dear object from the crime remove,
Or how distinguish penitence from love?
Unequal task! a passion to resign,
For hearts so touch’d, so pierc’d, so lost as mine.
Ere such a soul regains its peaceful state,
How often must it love, how often hate!
How often hope, despair, resent, regret,
Conceal, disdain—do all things but forget.
But let Heav’n seize it, all at once ’tis fir’d;
Not touch’d, but rapt; not waken’d, but inspir’d!
Oh come! oh teach me nature to subdue,
Renounce my love, my life, myself—and you.
Fill my fond heart with God alone, for he
Alone can rival, can succeed to thee.

How happy is the blameless vestal’s lot!
The world forgetting, by the world forgot.
Eternal sunshine of the spotless mind!
Each pray’r accepted, and each wish resign’d;
Labour and rest, that equal periods keep;
“Obedient slumbers that can wake and weep;”
Desires compos’d, affections ever ev’n,
Tears that delight, and sighs that waft to Heav’n.
Grace shines around her with serenest beams,
And whisp’ring angels prompt her golden dreams.
For her th’ unfading rose of Eden blooms,
And wings of seraphs shed divine perfumes,
For her the Spouse prepares the bridal ring,
For her white virgins hymeneals sing,
To sounds of heav’nly harps she dies away,
And melts in visions of eternal day.

Far other dreams my erring soul employ,
Far other raptures, of unholy joy:
When at the close of each sad, sorrowing day,
Fancy restores what vengeance snatch’d away,
Then conscience sleeps, and leaving nature free,
All my loose soul unbounded springs to thee.
Oh curs’d, dear horrors of all-conscious night!
How glowing guilt exalts the keen delight!
Provoking Daemons all restraint remove,
And stir within me every source of love.
I hear thee, view thee, gaze o’er all thy charms,
And round thy phantom glue my clasping arms.
I wake—no more I hear, no more I view,
The phantom flies me, as unkind as you.
I call aloud; it hears not what I say;
I stretch my empty arms; it glides away.
To dream once more I close my willing eyes;
Ye soft illusions, dear deceits, arise!
Alas, no more—methinks we wand’ring go
Through dreary wastes, and weep each other’s woe,
Where round some mould’ring tower pale ivy creeps,
And low-brow’d rocks hang nodding o’er the deeps.
Sudden you mount, you beckon from the skies;
Clouds interpose, waves roar, and winds arise.
I shriek, start up, the same sad prospect find,
And wake to all the griefs I left behind.

For thee the fates, severely kind, ordain
A cool suspense from pleasure and from pain;
Thy life a long, dead calm of fix’d repose;
No pulse that riots, and no blood that glows.
Still as the sea, ere winds were taught to blow,
Or moving spirit bade the waters flow;
Soft as the slumbers of a saint forgiv’n,
And mild as opening gleams of promis’d heav’n.

Come, Abelard! for what hast thou to dread?
The torch of Venus burns not for the dead.
Nature stands check’d; Religion disapproves;
Ev’n thou art cold—yet Eloisa loves.
Ah hopeless, lasting flames! like those that burn
To light the dead, and warm th’ unfruitful urn.

What scenes appear where’er I turn my view?
The dear ideas, where I fly, pursue,
Rise in the grove, before the altar rise,
Stain all my soul, and wanton in my eyes.
I waste the matin lamp in sighs for thee,
Thy image steals between my God and me,
Thy voice I seem in ev’ry hymn to hear,
With ev’ry bead I drop too soft a tear.
When from the censer clouds of fragrance roll,
And swelling organs lift the rising soul,
One thought of thee puts all the pomp to flight,
Priests, tapers, temples, swim before my sight:
In seas of flame my plunging soul is drown’d,
While altars blaze, and angels tremble round.

While prostrate here in humble grief I lie,
Kind, virtuous drops just gath’ring in my eye,
While praying, trembling, in the dust I roll,
And dawning grace is op’ning on my soul:
Come, if thou dar’st, all charming as thou art!
Oppose thyself to Heav’n; dispute my heart;
Come, with one glance of those deluding eyes
Blot out each bright idea of the skies;
Take back that grace, those sorrows, and those tears;
Take back my fruitless penitence and pray’rs;
Snatch me, just mounting, from the blest abode;
Assist the fiends, and tear me from my God!

No, fly me, fly me, far as pole from pole;
Rise Alps between us! and whole oceans roll!
Ah, come not, write not, think not once of me,
Nor share one pang of all I felt for thee.
Thy oaths I quit, thy memory resign;
Forget, renounce me, hate whate’er was mine.
Fair eyes, and tempting looks (which yet I view!)
Long lov’d, ador’d ideas, all adieu!
Oh Grace serene! oh virtue heav’nly fair!
Divine oblivion of low-thoughted care!
Fresh blooming hope, gay daughter of the sky!
And faith, our early immortality!
Enter, each mild, each amicable guest;
Receive, and wrap me in eternal rest!

See in her cell sad Eloisa spread,
Propp’d on some tomb, a neighbour of the dead.
In each low wind methinks a spirit calls,
And more than echoes talk along the walls.
Here, as I watch’d the dying lamps around,
From yonder shrine I heard a hollow sound.
“Come, sister, come!” (it said, or seem’d to say)
“Thy place is here, sad sister, come away!
Once like thyself, I trembled, wept, and pray’d,
Love’s victim then, though now a sainted maid:
But all is calm in this eternal sleep;
Here grief forgets to groan, and love to weep,
Ev’n superstition loses ev’ry fear:
For God, not man, absolves our frailties here.”

I come, I come! prepare your roseate bow’rs,
Celestial palms, and ever-blooming flow’rs.
Thither, where sinners may have rest, I go,
Where flames refin’d in breasts seraphic glow:
Thou, Abelard! the last sad office pay,
And smooth my passage to the realms of day;
See my lips tremble, and my eye-balls roll,
Suck my last breath, and catch my flying soul!
Ah no—in sacred vestments may’st thou stand,
The hallow’d taper trembling in thy hand,
Present the cross before my lifted eye,
Teach me at once, and learn of me to die.
Ah then, thy once-lov’d Eloisa see!
It will be then no crime to gaze on me.
See from my cheek the transient roses fly!
See the last sparkle languish in my eye!
Till ev’ry motion, pulse, and breath be o’er;
And ev’n my Abelard be lov’d no more.
O Death all-eloquent! you only prove
What dust we dote on, when ’tis man we love.

Then too, when fate shall thy fair frame destroy,
(That cause of all my guilt, and all my joy)
In trance ecstatic may thy pangs be drown’d,
Bright clouds descend, and angels watch thee round,
From op’ning skies may streaming glories shine,
And saints embrace thee with a love like mine.

May one kind grave unite each hapless name,
And graft my love immortal on thy fame!
Then, ages hence, when all my woes are o’er,
When this rebellious heart shall beat no more;
If ever chance two wand’ring lovers brings
To Paraclete’s white walls and silver springs,
O’er the pale marble shall they join their heads,
And drink the falling tears each other sheds;
Then sadly say, with mutual pity mov’d,
“Oh may we never love as these have lov’d!”

From the full choir when loud Hosannas rise,
And swell the pomp of dreadful sacrifice,
Amid that scene if some relenting eye
Glance on the stone where our cold relics lie,
Devotion’s self shall steal a thought from Heav’n,
One human tear shall drop and be forgiv’n.
And sure, if fate some future bard shall join
In sad similitude of griefs to mine,
Condemn’d whole years in absence to deplore,
And image charms he must behold no more;
Such if there be, who loves so long, so well;
Let him our sad, our tender story tell;
The well-sung woes will soothe my pensive ghost;
He best can paint ’em, who shall feel ’em most.

– Alexander Pope